Tamara Bregar

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My work connects to the passing of time, decay and the restoration of these decayed post-mortem bodies. The external shape, which I manipulate, is in its essence a solid hard form that comes from shells, which can stay intact for decades, but over time outside influences and the environment can make them break, fall apart and deteriorate. We can also apply this phenomenon to our lives, which are shaped and changed by different factors over time.

APPROACH

As a material, ceramic has multiple functions. In the process of creating my work, I am constantly searching for new methods and techniques for transferring clay, so I can use the same medium to achieve different effects to substitute different materials such as plastic, polyester or epoxy. I combine clay with hair, fibre, cotton, textile, bandages or other used materials to repurpose them and recycle them in my sculptures. With this approach, I get a wide variety of diverse surfaces, textures and forms. In my works, I make the outer shape by combining different types of dried ceramic powder, which I incorporate onto the shapes surface, in order to achieve the cracking effect, sometimes I amplify it with the use of heat. The outer shape protects the fragile inner structure from falling apart. The cores of my sculptures are made from thin ceramic fibres, different strings, sometimes bandages, or enforced with recycled ceramic pieces. The multitude of them makes the core stable and monumental. The inner structure is comparable to a spider web, where every fibre is playing its role to achieve unity and come out of the more significant shape.
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